Accomplishment of the Day:

I figured out how to turn on the air conditioning in my suite. Today it got up to about 94, and with the thermal properties of a city comprising who-knows-how-many square miles of concrete, I'm sure it felt much hotter. I spent much of the afternoon in my room, much too hot to walk anywhere and definitely too hot to go down to the subway platform. Somewhere in the back of my mind I remember thinking that these rooms were supposed to have AC, but I probably dismissed it in part because I've lived in non-ACed houses for the past three summers, and I just feel like the sticky hotness is the way summer living is.

Not anymore, thanks to my finding a really grimy switch in the "off" position, on the equally grimy AC unit hidden behind something once used as a whiteboard, as evidenced through the unerasable beer pong tallies on the front, left courtesy of the previous (male) tenants.

Anyway, the past couple of days have been good ones, and full ones. Highlights include an absolutely enthralling (no sarcasm, it really was amazing) presentation by David Granger, the editor of Esquire magazine, one by the creative director at Gourmet and another by the ad sales director at Condé Nast's Portfolio. I also got to tour the Good Housekeeping Research Institute and pitch a magazine idea (along with a group) for a publication that I truly would love to see get made. The roomie and I have been continuing our evening strolls around the neighborhood, and last night some new friends and I went to the Rodeo restaurant and bar, where there was great food and drink and an excellent band.

Twice this week I've gone to a little pan-Asian restaurant on 8th St. called Cafetasia. I found out about it in the Time Out New York student issue, and it's perfect because it has a great trendy, fancy ambience, but the prices are incredibly reasonable. The food was great both times, and it made me feel like I was having a really upscale restaurant experience without the price tag.

Tonight, after the second visit to Cafetasia, I went to go see War, Inc., the new film starring John Cusack (and Joan Cusack by default) as well as Marisa Tomei and Hillary Duff, with some smaller appearances by Dan Ackroyd and Sir Ben Kingsley. It was playing at a little place in Soho called the Angelika Film Center, which has a full coffee shop with ice cream upstairs, and six theaters and a concession stand downstairs. The theaters were tiny, but it meant they could show lots of independent films at a time. Of course the price was high ($12 a ticket), but it was overall a good experience.

The movie got kinda lukewarm reviews, and although I really liked it, I can kinda see why. John Cusack plays an assassin (again) who is hired by a Halliburton-like company to kill an oil magnate in Turaqistan, with the premise that the war at hand there has been entirely financed and planned by big business. The over-the-top nature of the metaphor earns some laughs as tanks fitted with Financial Times billboards roll past piles of rubble and Cusack has a therapy-session conversation with his personal navigation system, GodStar. But the film probably could have earned some points with subtlety or depth, but its in-your-face tactics will probably draw some attention. Duff and Tomei both have good performances, and overall I think it was a good film.

John Cusack is a great actor because of the films he chooses, but I have to say I feel that he hasn't chosen the best ones lately. Martian Child was good, but it was no High Fidelity (my favorite movie ever, pretty much) or Say Anything. Must Love Dogs had the perfect part for him, and the perfect part for Diane Lane, but the two together just did not make a believable couple. It would have been two good separate movies. "Is it in fact unfair to criticize a formerly great artist for his latter day sins, is it better to burn out or fade away?"